If There Is Much In The Window There Should Be More In The Room

Saturday, June 28, 2008

Enough Words?




How does a part of the world leave the world?

How can wetness leave water?


Don’t try to put out a fire
by throwing on more fire!
Don’t wash a wound with blood!


No matter how fast you run,
your shadow more than keeps up.
Sometimes, it’s in front!


Only full, overhead sun
diminishes your shadow.


But that shadow has been serving you!
What hurts you, blesses you.
Darkness is your candle.
Your boundaries are your quest.


I can explain this but it would break
the glass cover on your heart,
and there’s no fixing that.


You must have shadow and light source both.
Listen, and lay your head under the tree of awe.


When from that tree, feathers and wings sprout
on you, be quieter than a dove.
Don’t open your mouth for even a coooooo.


When a frog slips into the water, the snake
cannot get it. Then the frog climbs back out
and croaks, and the snake moves toward him again.


Even if the frog learned to hiss, still the snake
would hear through the hiss the information
he needed, the frog voice underneath.


But if the frog could be completely silent,
then the snake would go back to sleeping,
and the frog could reach the barley.


The soul lives there in the silent breath.

And that grain of barley is such that,
when you put it in the ground,
it grows.


Are these enough words,
or shall I squeeze more juice from this?
Who am I, my friend?


–Rumi

THE ARBOR

]





 


He seems to be a god, that man
Facing you, who leans to be close,
Smiles, and, alert and glad, listens
To your mellow voice

And quickens in love at your laughter
That stings my breasts, jolts my heart
If I dare the shock of a glance.
I cannot speak,

My tongue sticks to my dry mouth,
Thin fire spreads beneath my skin,
My eyes cannot see and my aching ears
Roar in their labyrinths.

Chill sweat glides down my back,
I shake, I turn greener than grass.
I am neither living nor dead and cry
From the narrow between.


Sappho (612 B.C.)
Translated by Guy Davenport

Drinking Alone Under The Moon














Among the flowers from a pot of wine
I drink alone beneath the bright moonshine.
I raise my cup to invite the moon, who blends
Her light with my shadow and we're three friends.
The moon does not know how to drink her share;
In vain my shadow follows me here and there.
 


Together with them for the time I stay
And make merry before spring's spend away.
I sing the moon to linger with my song;
My shadow disperses as I dance along.
Sober, we three remain cheerful and gay;
Drunken, we part and each goes his way.
Our friendship will outshine all earthly love;
Next time we'll meet beyond the stars above.

- Li Bai

Friday, June 27, 2008

Rare but Real: People Who Feel, Taste and Hear Color







When Ingrid Carey says she feels colors, she does not mean she sees red, or feels blue, or is green with envy. She really does feel them.
She can also taste them, and hear them, and smell them.

The 20-year-old junior at the University of Maine has synesthesia, a rare neurological condition in which two or more of the senses entwine. Numbers and letters, sensations and emotions, days and months are all associated with colors for Carey.

The letter "N" is sienna brown; "J" is light green; the number "8" is orange; and July is bluish-green. 

The pain from a shin split throbs in hues of orange and yellow, purple and red, Carey told LiveScience.

Colors in Carey's world have properties that most of us would never dream of: red is solid, powerful and consistent, while yellow is pliable, brilliant and intense. Chocolate is rich purple and makes Carey's breath smell dark blue. Confusion is orange. 

Scientific acceptance

Long dismissed as a product of overactive imaginations or a sign of mental illness, synesthesia has grudgingly come to be accepted by scientists in recent years as an actual phenomenon with a real neurological basis. Some researchers now believe it may yield valuable clues to how the brain is organized and how perception works.

"The study of synesthesia [has] encouraged people to rethink historical ideas that synesthesia was abnormal and an aberration," says Amy Ione, director of the Diatrope Institute, a California-based group interested in the arts and sciences.

The cause remains a mystery, however.
According to one idea, irregular sprouting of new neural connections within the brain leads to a breakdown of the boundaries that normally exist between the senses. In this view, synesthesia is the collective chatter of sensory neighbors once confined to isolation.

Another theory, based on research conducted by Daphne Maurer and Catherine Mondloch at McMaster University in Ontario, Canada, suggests all infants may begin life as synesthetes. In this way of thinking, animals and humans are born with immature brains that are highly malleable. 

Connections between different sensory parts of the brain exists that later become pruned or blocked as an organism matures, Mondloch explained.
Maurer and Mondloch hypothesize that if these connections between the senses are functional, as some experiments suggest, then infants should experience the world in a way that is similar to synesthetic adults.

In a variation of this theory, babies don't have five distinct senses but rather one all-encompassing sense that responds to the total amount of incoming stimulation. So when a baby hears her mother's voice, she is also seeing it and smelling it.

Technology lags

Maurer and Mondloch's pruning hypothesis is intriguing, says Bruno Laeng, a psychology professor at the University of Tromso, Norway. But he adds a caution.
"At present, we do not have the technology to observe brain-connection changes in the living human brain and how these relate to mental changes," Laeng said in an email interview.

Like other scientists, Laeng also questions whether synesthesia needs such extra neural connections in order to occur. Advancements in current brain imaging techniques may one day allow the pruning hypothesis to be tested directly, he said.

According to another theory that does not rely on extra connections, synesthesia arises when normally covert channels of communications between the senses are exposed to the light of consciousness. 

All of us are able to perceive the world as a unified whole because there is a complex interaction between the senses in the brain, the thinking goes. Ordinarily, these interconnections are not explicitly experienced, but in the brains of synesthetes, "those connections are 'unmasked' and can enter conscious awareness," said Megan Steven, a neuroscientist at Beth Israel Deaconess Medical Center. 

Because this unmasking theory relies on neural connections everyone has, it may explain why certain drugs, like LSD or mescaline, can induce synesthesia in some individuals. 

'Like I'm crazy' 

Many synesthetes fear ridicule for their unusual abilities. They can feel isolated and alone in their experiences.
"Most people that I'd explain it to would either be fascinated or look at me like I'm crazy," Carey said. "Especially friends who were of a very logical mindset. They would be very perplexed."

The study of synesthesia is therefore important for synesthetes, says Daniel Smilek, an assistant psychology professor at the University of Waterloo in Ontario, Canada.
Research is revealing synesthetes to be a varied bunch.





More on Synesthesia
Synesthesia is from the Greek syn (union) and the aisthesis (sensation).


"If you ask synesthetes if they'd wish to be rid of it, they almost always say no. For them, it feels like that's what normal experience is like. To have that taken away would make them feel like they were being deprived of one sense."
-- Simon Baron-Cohen, synesthesia researcher at the University of Cambridge




Smilek and colleagues have identified two groups of synesthetes among those who associate letters and numbers with colors, he explained in a telephone interview. For individuals in one group, which Smilek calls "projector" synesthetes, the synesthetic color can fill the printed letter or it can appear directly in front of their eyes, as if projected onto an invisible screen. In contrast, "associate" synesthetes see the colors in their "mind's eye" rather than outside their bodies.
In Carey's case, the colors appear in quick flashes right behind her eyes, blinking in and out of existence as quickly as ocean foam. Other times they linger, coalescing and dividing like sunlight on the surface of a soap bubble.

'No mere curiosity'

Other subgroups have also been identified.  
The synesthesia of those in the "perceptual" category is triggered by sensory stimuli like sights and sounds, whereas "conceptual" synesthetes respond to abstract concepts like time. One conceptual synesthete described the months of the year as a flat ribbon surrounding her body, each month a distinct color. February was pale green and oriented directly in front of her.

Richard Cytowic, a neuroscientist and author of "The Man Who Tasted Shapes" (Bradford Books, 1998), has watched the scientific shift in attitudes toward the condition in recent years.
"Many of my colleagues claimed that synesthesia was 'made up' because it went against prevailing theory," Cytowic told LiveScience. "Today, everyone recognizes synesthesia as no mere curiosity but important to fundamental principles of how the brain is organized."

Thursday, June 26, 2008

HEREINMYHEAD.COM | A Tori Amos Website

http://www.hereinmyhead.com/

I love the mystique in Tori Amos:
"I love chasing the dark. That which is hidden. I like licking it like an ice cream. I've always been really fascinated about that part of people, including myself, that is hidden. Some people hide more than others, and it does intrigue me.
I write about the dark night of the soul, because I feel I have ticket there—an access ticket like you get to the Underground. I think I have a permanent Underground ticket to the subway...it’s much cheaper than taking taxis. Women shouldn’t deny their dark side. Sometimes those demons are frightening and sometimes they’re beautiful. You’ll have to approach them. Drink a glass of wine with them, take them for a walk on the beach, examine yourself"



Wednesday, June 25, 2008

Stan Getz



 

It’s the swirling lyricism, the bittersweet longing in the sounds, barely perceptible, yet crucial bossa nova rhythm, taking hold of your body and mind until you too, without noticing it, are swaying to the samba. Stan Getz's saxophone IS the sound of this music.



Brazillian style jazz- the tune is called Wave by Antonio Carlos Jobim.


With Albert Dailey on piano and George Mraz on bass , Billy Hart is on drums and Efrian Toro on percussions.




Tenor saxophonist Stan Getz performs Jobim's Wave



Monday, June 16, 2008

KAARE NORGE - TANGO JALOUSIE by JACOB GADE(DK.)Aar:KN


















Kaare Norge (born 1963) is a Danish classical guitarist.
In 1992 he became the first classical musician to play at the Roskilde Festival.
Although he has recorded a very broad repertory of classical works, well known for his recitals of composers such as Chopin and Bach. He has received the most international attention for the arrangement of Led Zeppelin's Stairway to Heaven which he recorded on his 1994 CD La Guitarra.




CLASSICAL GUITAR LATIN TANGO VIDEO 

Sunday, June 15, 2008

Deena Metzger on Anais Nin 3/3



http://www.youtube.com/watch?v=wfSYIP8HQeQ

Deena Metzger talks about Anais Nin for Anais Nin @ 105 at the Hammer Museum. Organized by Steven Reigns
Metzger met Anaïs Nin in 1966 when she was the Literary and Arts editor of the LA Free Press and first became familiar with her work by reviewing Collages. They became close friends, sharing dreams, writing and their lives until Anaïs' death. When the first Diary was published, Deena reviewed it and they celebrated with a costume publication party at Deena's home: Come as one of Anaïs' Characters. In turn Anaïs endorsed Deena's first book Skin:Shadows/Silence: A Love Letter in the Form of a Novel. Since then the poet, novelist, playwright, essayist, healer has written many works including Entering the Ghost River: Meditations on the Theory and Practice of Healing; From Grief into Vision: A Council; Tree: Essays and Pieces; and Writing For Your Life: A Guide and Companion to the Inner Worlds. She co-edited Intimate Nature: The Bond Between Women and Animals. Her novels include The Woman Who Slept with Men to Take the War Out of Them, The Other Hand, What Dinah Thought and Doors: A Fiction for Jazz Horn. Her most recent books of poetry are Looking for the Faces of God and A Sabbath Among The Ruins. Ruin and Beauty: New and Selected Poems is forthcoming in 2008. Her plays include Not As Sleepwalkers and Dreams Against the State.

Deena Metzger on Anais Nin 1/3




http://www.youtube.com/watch?v=It7g6hPha1w

Deena Metzger talks about Anais Nin for Anais Nin @ 105 at the Hammer Museum. Organized by Steven Reigns

Metzger met Anaïs Nin in 1966 when she was the Literary and Arts editor of the LA Free Press and first became familiar with her work by reviewing Collages. They became close friends, sharing dreams, writing and their lives until Anaïs' death. When the first Diary was published, Deena reviewed it and they celebrated with a costume publication party at Deena's home: Come as one of Anaïs' Characters. In turn Anaïs endorsed Deena's first book Skin:Shadows/Silence: A Love Letter in the Form of a Novel. Since then the poet, novelist, playwright, essayist, healer has written many works including Entering the Ghost River: Meditations on the Theory and Practice of Healing; From Grief into Vision: A Council; Tree: Essays and Pieces; and Writing For Your Life: A Guide and Companion to the Inner Worlds. She co-edited Intimate Nature: The Bond Between Women and Animals. Her novels include The Woman Who Slept with Men to Take the War Out of Them, The Other Hand, What Dinah Thought and Doors: A Fiction for Jazz Horn. Her most recent books of poetry are Looking for the Faces of God and A Sabbath Among The Ruins. Ruin and Beauty: New and Selected Poems is forthcoming in 2008. Her plays include Not As Sleepwalkers and Dreams Against the State.

DELTA of VENUS



Rating:★★★★★
Category:Books
Genre: Literature & Fiction
Author:Anais Nin



An exquisite reading high point familiarizing one with stories that will captivate you from beginning to end. The stories in Delta of Venus Nin wrote for a dollar a page in the 1940s. Erotica to the core yet contains a great deal of symbolism and darkness. Delta of Venus joyously explores the art of human sexuality. Rape, exhibitionism, voyeurism and incest are a few of the disarming and disturbing subject matters addressed in this book. My favorite stories are The Basque and Bijou, The Hungarian Adventurer, The Veiled Woman-- all remarkably unusual but alluring penned by the master of erotic writing, Anais Nin.


Anaïs Nin (born Angela Anaïs Juana Antolina Rosa Edelmira Nin y Culmell) (February 21, 1903, Neuilly-sur-Seine -- January 14, 1977) was a French author who became famous for her published journals, which span more than 60 years, beginning when she was 11 years old and ending shortly before her death. The most famous book of Anaïs Nin is Delta of Venus. It was first published in 1978. There are multiple short stories in this work with certain important characters reappearing throughout. She deals with many different sexual themes, while maintaining the balance of her life's work: the study and description of woman.


The collection of short stories that makes up this anthology was written during the 1940s for a private client known simply as "Collector"'. This "Collector" commissioned Nin, along with other now well-known writers (including Henry Miller), to produce erotic fiction for his private consumption. Despite being told to leave poetic language aside and concentrate on graphic, sexually explicit scenarios, Nin was able to give these stories a literary flourish and a layer of images and ideas beyond the pornographic. In the introduction, she called herself "the madam of this snobbish literary house of prostitution".


The stories range in length from less than a page to one hundred times that, and are tied together not just by their sexual premises, but also by Nin's distinct style and feminine viewpoint.


In Delta of Venus Anais Nin penned a lush, magical world where the characters of her imagination possess the most universal of desires and exceptional of talents. Among these provocative stories, a Hungarian adventurer seduces wealthy women then vanishes with their money; a veiled woman selects strangers from a chic restaurant for private trysts; and a Parisian hatmaker named Mathilde leaves her husband for the opium dens of Peru. This is an extraordinarily rich and exotic collection from the master of erotic writing.



Anais Nin's writing style is at once impassioned, direct and unambiguous. While she leaves no doubt in the reader's mind just what is going on, her countless love scenes are imbued with so much warmth and dignity that one could scarcely find them offensive. But most importantly, Anais understood that sex is nothing without emotion, and it's the emotions of her myriad characters that cause the reader to turn happily florid with every page. She understood that while sex is not to be taken lightly, it's certainly not something to be restrained, either.

Lastly, of all the locales depicted in this collection of stories, she lends a special affection to Paris. One could presume that of all of Anais' lovers, the City of Light was the dearest to her heart, to wit: "At five I always felt shivers of sensuality, shared with the sensual Paris. As soon as the light faded, it seemed to me that every woman I saw was running to meet her lover, that every man was running to meet his mistress." and "But we were enjoying an orgasm, as couples do in doorways and under bridges at night all over Paris."